Fleeting Moments in iHistory

Why don’t internet brands make comebacks?

myspaceWith the recent attention on onetime market leaders AOL, Yahoo, and MySpace to inject new creativity into their platforms, I have been talking with a number of people about why this notion isn’t business as usual, with the expectation that success is much more probable than unlikely. We are so quick in the internet age to exchange snarky remarks about last year’s fading nameplates, as if it were all but inevitable that a fallen giant cannot get up and march on. Why?

Well, aside from our gossipy predisposition to critique, there is a good reason we take a skeptical point of view about internet brands that have seen better days—in almost all cases, those were their best days. Major turnarounds don’t seem to be the norm. Sadly, they don’t seem to be out there much at all. We can point to several works in progress where noble efforts are underway, but we can’t really write a business school case study on a revamp that is making history and ripe for the textbooks.

Although this is reality, it does not make sense, certainly not good business sense.

Most traditional brands go through life cycles: they are cool for a while, then something inevitably goes wrong—operational mishaps, disruptive entrants, or market forces—then visionary management attacks the problem and turnarounds do happen, sometimes monster turnarounds. Think about what happened with the rise and fall and rise of Disney, the same but even more so at Apple, the customer win back at Coke after the public rejection of new-Coke, multiple cycles up and down at Sony, the same to a lesser extent at MTV. All of these instances gave management—often new management—a starting point for the very real consideration of turnaround plans. Management carries out the traditional SWOT (Strengths-Weaknesses-Opportunities-Threats) analysis, and the discussion centers around how probable the turnaround plan under consideration might be, not a passive discussion of should we bother. You always bother.

Look at what happened at the Wall Street Journal—newspapers have been pronounced on their way to the graveyard, but the brand has never been stronger and circulation is growing on multiple platforms. That is giving the New York Times hope, the Los Angeles Times as well. You always try because the asset you have is too valuable not to try. CBS, NBC, ABC, HBO, they all have good and bad seasons, but you don’t think about walking away after a bad season. Look at MSNBC, how it struggled out of the gate, now it has an identity. Sticking with an established beachhead can work, surely not all the time, but there are so many examples where the uphill effort is proven to be worth it.

Like internet brands that have enjoyed success, non-internet brands once in the limelight come to the outset of a turnaround with some remaining loyalty, mass reach, measurable unaided awareness, and some core value proposition. The fact that tastes have changed or tactics have failed doesn’t mean you have lost everything; you just have a lot less of it. You have something to work with, so you don’t walk away. Your investors would not be pleased with those kinds of write downs.

Let’s think about the dotcom bubble and all the brands it birthed, starting with the portal wars—Excite (then Excite @Home), Lycos, Looksmart, Infoseek (then Go.com)—they all had huge followings! Now they are answers to trivia questions. What about Friendster, eToys, Netscape, NeoPets, Encarta, GeoCities, Pets.com, Webvan? These were all massively attended internet destinations, great names with tremendous followings built on innovation and creativity. Was there really nothing better to do with their identities than turn away?

I started to wonder whether our relationship with brands today is somehow different from our relationship two, three, four decades ago. Were we somehow more willing to give brands a second chance then that we are not now? Is this generation of consumers somehow wired differently? Have we come to a new understanding of inertia so that once cold something must stay cold? That would have been an easy answer, but one trip to the Apple Store will change your mind quickly. Spend a little time in the store with the other customers and you will soon be reassured how much a once loved, then dismissed, then reinvented brand can be loved anew. Ask tweens about Disney Channel, which they never would have been caught dead watching a generation ago, but now it too has been reinvented to become a trendsetter.

Brand laws may evolve, but they haven’t died.

What seems most ironic to me is that when you look at the giants of brand reinvention, the core turnaround strategy is not financial engineering, but rediscovery of the company’s roots in innovation. Disney expanded its theme parks, its own hotels, rebuilt its animation efforts, created the Disney Store, and rode a wave of home video before acquiring ABC and later Pixar and Marvel. Upon the return of Steve Jobs, Apple pioneered the iMac, then iTunes, then the iPod, then the iPhone, then the iPad, all the while building out the Apple Stores. Microsoft from a standing start entered the entertainment world with Xbox, as Sony had done prior to that with PlayStation. Clearly these involved massive investments, but they were bets on products and services, new ideas from talent and passion within the company.

Can we imagine a day when Google, Amazon, eBay, or Facebook are no longer top of mind with consumers? What about Netflix, LinkedIn, or YouTube? If history is a guide, it is entirely likely one of these or another equally strong internet property will fall out of favor. Are we likely to see it left to harvest? I would bet 100% the answer is no. Reinvention will be the order of the day, and revitalization will follow with new products, new services, and creative marketing to support those initiatives, no different from the offline world.

Internet brands are born of talent and passion—they are the very picture of innovation. So why if they can be invented with innovation can they seldom seem to be reinvented with innovation? Is the answer to be found in independence vs. acquisition by an umbrella company, where founding talent departs and corporate bureaucracy takes over? Possibly, but that seems more like an observation to me than a fait accompli. Just because a young company is bought on the way up or down doesn’t mean it cannot survive a downtown. The question has to be what is being done to address the downturn. If the downturn is being addressed through a product strategy with talent and passion, there is every reason to believe a new vision can have success. Just because it hasn’t happened doesn’t mean it won’t happen. We all have reason to want it to happen, because that creates more opportunity for the industry and sends the right message to customers, that we do listen to them and change can happen when we are serious about it.

Optimism as a driving force is always good. The change that happens in the analog world will translate to the digital world. When a once adored brand is down, root for reinvention.

More on Social Commerce

Simple Definition of Social Commerce
by Paul Marsden
Social Commerce Today, November 17, 2009

Social Commerce is Much More than a Buzzword

However you want to define it, shopping is social. The network’s the thing. Inspire a dialogue, remove all barriers to exchange, and the community will do most of the heavy lifting. If it’s not interactive, it’s a soap box (pun intended), a very tough way to sell.

Social Commerce is Real

Prepare for Social Commerce
by Dianna Dilworth
DM News, December 29, 2006

The Mass is No More

Nothing is more powerful in moving someone from intension to transaction than the opinions and recommendations of your own community. What our friends and family say and think means an order of magnitude more than any paid placement. You just can’t buy this kind of endorsement, only inspire it.

Advertising Has To Be More Than A Numbers Game

BrandweekOld Wisdom for New Media
by Ken Goldstein
Brandweek, May 5, 2008

WHILE updating my profile on a certain social-networking site recently, I received a tower ad for a brand of acne medication. Truth be told, I was flattered. I mean, the last time I really had to worry about my skin breaking out was…

Well, let’s just say it was a while ago.

So, to the makers of the nifty benzoyl peroxide cream, thanks.  And thanks, too, for getting me thinking.  Because when it comes to the integration of technology, programming and advertising, this complex machinery clearly broke down in my case.  Nobody doubts that social networks and video-distribution sites are critical marketing tools—they’ve got tens of millions of users, nearly half of whom are over 35 and well past the zit zone—but many of them have yet to target effectively.  They still don’t allow advertisers to deliver relevant content that creates emotional resonance.

Is that a shortcoming?  Yes.  Does it surprise me?  No.  The lag time between the invention of a technology and the perfection of its market applications is well documented.  For example, radio technology emerged as early as 1895, but the first on-air commercial didn’t bounce off the ionosphere until 1922 (it was a spokesman for New York City’s Queensboro Corp. lauding new cooperative apartments in a lush, far-off paradise called Queens).  America had an early version of television back in 1927, but nobody saw a TV spot until 1941, when Bulova bought a 20-second ad to open a Dodgers-Phillies game.

Even after the development of on-air advertising, it took still longer for our marketing ancestors to awaken to specific audience targeting—specifically, using women in the TV studio to speak to women at home in the suburbs.  Betty Furness was advertising’s first celebrity endorser, delivering her inaugural pitch for Westinghouse appliances in 1949.  Procter & Gamble created the daytime TV serial drama in 1950 to sell cleaning products to women. Its series (called The First Hundred Years) lasted only two seasons; the name it coined—soap opera—lives on.

And so, much as it took early sponsors time to realize their era’s new media potential; today’s marketers are traveling the same learning curve.  In our digital age, advertising continues to focus on reach, efficiency and relevance—but Web-based advertising relies disproportionately on unimaginative spot and text ads that have changed little since Hotwire introduced banner ads in 1994.

Indeed, marketers have begun to recognize that ads on social networking sites yield click-through rates as low as 4 in 10,000, while the click-through rate for all ads is 20 in 10,000.  When social-networking sites have a 5-to-1 disparity in click-through, it’s clearly time to better capitalize on today’s digital innovations.

The basic truth revealed by the Queensboro co-op apartment radio spot still applies.  When advertising is part of the story (when you see the Lipstick Jungle ad on iVillage.com or a Ross-Simons promotion within a “Cart Me Away” game on my company’s site, shop.com) it defines the difference between advertising that people embrace and advertising people avoid.  Focused Web sites with a loyal audience controlling discretionary dollars still make the most efficient media buys when marketing content is entertaining rather than intrusive.  The cable TV industry taught the networks a great lesson on this point; my sense is digital media are on the verge of learning similar lessons.

Yes, technology can help an advertiser reach the rich audience, but whether you’re selling luxury real estate or acne cream, it’s still the audience—its attention span and the connections it makes with content—that matters most.  I like online social networks, but just because they pull down big numbers doesn’t mean they can pull off a sale.  Getting great products in front of great customers is both art and science; let’s embrace the art and science (and mostly the customers) and worry less about so-called “total media solutions” from pundits who have never made a sales call.  Maybe then we can have some fun really inventing that fabled digital media future.

PostScript for CIR blog post:

Targeting Is Only Part of the Solution

The fun of media is that it is equal parts art and science.  The challenge of media is whichever of those two sides of the brain is not your strong suit.  That’s why it takes a (small) village to get it right, no one has the whole story, but without the whole story, it usually is not a very good story.

History has a way of solving these problems, but it takes time, and it takes casualties.  Just because you can think it up and do it doesn’t mean it will work; but that doesn’t mean you shouldn’t try everything and respond to the feedback you get—quickly, honestly, and passionately.

Original Article Republished in China