My Beatles Top 10

Paul McCartney, John Lennon, Ringo Starr, George Harrison

Is it just me or we in the midst of a Beatles Renaissance? Each month of this decade offers a 50th anniversary of something surrounding The Beatles. I’ve already attended the 50th anniversary of The Beatles concert at Dodger Stadium. I’ve enjoyed a screening of Ron Howard’s documentary Eight Days a Week featuring the band’s live tours of the U.S. to celebrate the 50th anniversary of their final stadium appearance. I’ve bought the live performance audio CD with reengineered recordings from the new film. I’ve subscribed to the new Beatles Channel on SiriusXM. I’ve marveled at multiple “Deconstructing The Beatles” lectures by my friend Scott Freiman, whose live presentations are now memorialized on DVD.

Okay, maybe it’s just me. Then again, with my new novel coming about how the soundtrack of our lives is inescapable in charting our life paths, The Beatles have never been more in the forefront of my mind.

For many years I have wanted to suggest my own Beatles Top 10 song list, but I have resisted for multiple reasons. First, because it does seem to change from year to year, depending on what’s consuming my attention or memory. Second, because I have been strictly advised by most Beatles luminaries that this is a fool’s errand—to rate The Beatles catalogue is akin to publicly stating the order in which you love your family and friends (a 2017 noble but flawed attempt to force rank all 213 songs is strong evidence of this). Third, because a single omission or overstated opinion might start an argument far more volatile than any around religion or politics, again putting the goodwill of colleagues at high risk. And fourth, because for all these reasons and more, I would undoubtedly be on course to a retraction, apology, restatement, or mass deleting of this post from the digital world, which is of course impossible.

Lists have a sad tendency to become permanent, even if deemed ephemeral.

Well, too bad, I’m doing it, if for no other reason than to defy my own fears, which I am certain John, Paul, George, and Ringo would applaud. I’ve restricted the list to songs written and recorded by The Beatles in their organic whole, without covers or selections from their various solo careers. The list is not in a precise order 1 to 10, because that numeration does ebb and flow with my mood, and so they remain unnumbered out of sheer fear of regret. Directionally this is my set list, and I hope I can stick to it.

Ladies and gentlemen, The Beatles!

In My Life (1965)

Hey, it’s my wedding song. If I don’t put it in first position I’m really in trouble. But it’s my wedding song for a reason, and the lyrics sit in a silver frame on my wife’s dresser because I bought the frame and put them there for both of us to read every day. Have a look at the words sometime. You may want to change your wedding song. “In my life, I love you more.”

While My Guitar Gently Weeps (1968)

This George Harrison tune haunts me unendingly, even more so since we lost George in 2001. I remember walking into a rock memorabilia store in Las Vegas years ago and seeing The Concert for George playing from a DVD on a widescreen and just standing there mesmerized with the sound pouring out in tribute. The guitar licks emerge like spoken lyrics and weave in and out of the simple verses with delicacy and determination. If you wanted to solo within the voice of an originator, this song gives you the chance of a lifetime.

Get Back (1969)

Whenever the word “Beatles” crosses my eardrums, I think of this song. It’s the quintessential tune that harnesses the ethos of the band, emerging from the tension of the end of their career but harkening back to the earliest days at the Cavern Club. If you ever get a chance to see the amazing Cirque du Soleil show Love at The Mirage in Vegas, or simply immerse yourself in the soundtrack mixed by George Martin, note the placement of this song in the early transition of the show from one era to another. The back beat is railroad steady yet quiet, it roars and rumbles without being bombastic. It is sonic, uncompromised rock ‘n’ roll, with Billy Preston on the backing keyboards to bring it home.

Nowhere Man (1965)

Ever have a song you can’t get out of your head because you’re not supposed to get it out of your head? This song, which somehow found its way into the core of the Yellow Submarine screenplay and inspired the character Jeremy Hillary Boob Ph.D., sings to me at every level of interpretation and inspiration. It begins a capella, offers some of the band’s finest happy harmonies, and tells a story that reaches into our hearts. “Isn’t he a bit like you and me?”

I Saw Her Standing There (1963)

Should you have the poor fortune of walking into a karaoke bar when I’m the leadoff fodder, I will be kicking off with this standard. It’s simple, it’s lively, it’s old school, and it works. It’s my wife’s second-favorite Beatles song no matter how badly I botch it. There is also a bit of sentimentality in it for me, as I remember when Lennon came out of hiding in 1974 after a tough few years, he was brought onstage for this one by Elton John—even more ironic because it’s a McCartney vocal. It’s on the B-side of “Philadelphia Freedom.” If you don’t know what a B-side is, my apologies.

Here Comes the Sun (1969)

How can a song be purely joyous and enormously sad at the same time? George Harrison had a way not only with melody and instrumentation, but with short words as fuses of emotion. Similar to “While My Guitar Gently Weeps” (and for that matter, “Something,” which just barely misses my list), it seems as though this epic was meant to be covered and reinterpreted. Did you see George play it with Paul Simon on Saturday Night Live in 1976? Yes, you need to do that.

Come Together (1969)

This is one of those Beatles tunes that sort of doesn’t fit in with the rest of their discography. It’s almost too dark for the lads from Liverpool to pull off, yet they do. The drumbeat cooked up by Ringo is as hallucinatory as the lyrics are caustic and scary. Possibly the only good thing to come out of the disastrous movie adaptation of Sgt. Pepper’s Lonely Hearts Club Band was the Aerosmith cover of this piercing track. If John hadn’t envisioned it for The Beatles he might have handed it to Steven Tyler (to be fair, the Earth, Wind, and Fire cover of “Got to Get You into My Life” is the only other decent tune to come out of that movie, but I digress).

All You Need Is Love (1967)

As if it weren’t enough for it to be a perfect anthem for the 1960s and every decade to follow, this beautiful tune debuted on one of the first global satellite TV broadcasts of all time, adding science to art to a community be-in that included Mick Jagger and Eric Clapton sitting on the floor. It also was well placed as the denouement resolution to the Yellow Submarine movie in lovingly crushing the Blue Meanies. Love, love, love.

Eleanor Rigby (1966)

“Ah, look at all the lonely people.” Yeah, on many days I’m one of them. When I was in high school the lyrics to this song somehow appeared in our poetry anthology. It was one of the more controversial classroom moments I can remember as a young student of literature and music, and I never forgot it. The question posed in English class was how to differentiate the contemporary (where the root word is “temporary”) from the canon worthy of poetic study. I wondered why that was important. I still do. “Eleanor Rigby” still makes the canon for me.

“Abbey Road Medley” (1969)

As I wrestled with the rest of the catalogue, I honestly couldn’t come up with a tenth song. I argued with myself and couldn’t find a way to win. I know it’s cheating, but I settled on the Abbey Road Medley, which is technically up to eight songs that begin with “You Never Give Me Your Money” and close with “The End.” Some people think it starts five songs later with “Golden Slumbers” and “Carry That Weight,” which is the shorter version Paul has been playing in his latest live tours as an encore. Regardless, it’s a powerful collection that spans the band’s musicality from rhythm solo to storytelling to full orchestration. It finishes big as a rocker. It’s how a lot of people remember the band coming to an end, myself included.

Agree, disagree, or want to chime in? I’m all ears, and always up for a good Beatles chat. Let me hear from you. Pretty soon these 50th anniversaries will have expired and we won’t have such a good excuse.

_______________

Photo: Freda Kelly circa 1962 (a gift to the author)

Advertisements

The Emergent Miracle of 50

Were popular songs from 1918 played widely in 1968?

How about songs from 1928 in 1978?

Or songs from 1938 in 1988?

So how come songs from 1968 are still widely played in 2018?

Want to know why? Here are ten songs from the top of the charts in 1968, from the Billboard Hot 100 of that year:

“Hey Jude” by The Beatles (#1).

“Sunshine of Your Love” by Cream (#6).

“Mrs. Robinson” by Simon and Garfunkel (#9).

“Mony Mony” by Tommy James and the Shondells (#13).

“Dance to the Music” by Sly and the Family Stone (#20).

“Born to Be Wild” by Steppenwolf (#31).

“Jumpin’ Jack Flash” by The Rolling Stones (#50).

“Light My Fire” by Jose Feliciano (#52).

“Ain’t Nothing Like the Real Thing” by Marvin Gaye and Tammi Terrell (#57).

“I Say a Little Prayer for You” by Aretha Franklin (#93).

I don’t think I need to write any more words today. The point proves itself. We don’t need to know why. The songs speak for themselves. They sing for themselves. Our attachment is primal, mystical, enduring.

Given the fifty years between the 1960s and the 2010s, not a day goes by that we don’t celebrate the 50th anniversary of something, for many of us our own time on the earth.

Last year we celebrated the 50th anniversary of Sgt. Pepper’s Lonely Hearts Club Band. This year it’s The White Album.

The Rolling Stones already have a 50 and Counting tour on their resume. Last year Fleetwood Mac hit 50 and headlined The Classic West and East stadium tours alongside iconic peers the Eagles, Doobie Brothers, Steely Dan, Journey, and Earth, Wind, & Fire.

Paul McCartney will likely tour until he can no longer stand on the stage. Ringo is still regularly on the road with his All-Starr Band.  You’ll remember that The Beatles led The British Invasion shortly after the Kennedy assassination. Yes, “all those years ago!”

So what is the endurance factor of what we now call classic rock? Is it simply that the baby boomers who shepherded these bands in youthful acts of defiance are living a lot longer? There might be something to that, but it doesn’t explain why so many millennials are subscribing to the same Spotify channels as their parents.

Certainly improvements in studio and consumer technology have made it easier to preserve and share high-quality recordings of later eras, but the conduit of access is a mechanical bridge, not an emotional path to replay. Variety shows on television in the 1960s and 1970s harkened back to songs of prior times, but not with the same urgency, devotion, or pervasiveness. The sheer volume of fifty-year-old songs populating playlists across age groups today tells us that “something’s happening here.”

Walk into a downtown bar or hotel lounge and you might be as likely to hear a cover band playing “Suzie Q” (Creedence Clearwater Revival, #97 in 1968) as you are anything from Bruno Mars or Beyoncé. I’m not suggesting every roadhouse on the highway basks in nostalgia, but when you walk into a live club and hear “Hello, I Love You” (The Doors, #14 in 1968) little about it seems dated or out of place. Of course there is an entire segment of the population who couldn’t care less about fifty-year-old relics, but the fans who forever revel in these not-so-ancient hits will stay up all night on the dance floor as long as the song list rolls.

It’s the music. It was good fifty years ago and it’s good today. For many who loved the music when it first hit the airways, this is the soundtrack of our lives. We love it, we love the memories that come with it, we love the way it makes us feel. We are silly enough to believe it keeps us young, and we want to share the beat with anyone who can’t sit still once the guitar licks begin pouring from the stage.

It doesn’t matter if that stage is a tiny corner platform in a pizza joint or a grand proscenium dragged into Dodger Stadium. We love the famous original acts when they are on the road, but we also love the young house bands who take the time to learn to play the hits well and then sneak in an original song of their own.

We love the occasional current star who braves an interpretation of a long-ago track (Dylan’s “All Along the Watchtower” covered by Devlin with Ed Sheeran is mighty powerful material). We love the new beside the old. We feel those classic rock tunes as part of our being, whether live, broadcast, streamed, satellite transmitted, or silently resonant in our minds.

Surely there is context to consider in a half-century of resilience, the voices of youth and diversity fighting for equal footing with established authority in the latter half of the twentieth century. Yet context doesn’t make a pop song last. Composition does. Performance does. Texture does. Maybe artists under contract just got better at the whole Tin Pan Alley game. Maybe they started to care as much about their legacy as their commercial acumen. Maybe connecting the generations came to mean more to them than the hunger for flowing cash. Well, maybe.

I’ve been thinking and writing about these songs most of my life, linking them to stories and plays, stitching their lyrics into the fabric of modern and historical philosophy. I’m never quite satisfied with the words I choose to explain why this music matters to me as much as it does. I suppose the songs are an organic whole without explanation. As so many of the young artists declared of their work when it was created, it was never meant to be analyzed. The songs were meant to be felt.

That doesn’t adequately address why this half-century is different, and why people like me believe so many of these songs are not likely to evaporate from the earth when we are no longer here to listen to them. The magic has emerged without anyone showing how the trick is done. That’s probably because the magicians don’t know how they did the trick.

It’s probably better that way. It keeps things authentic.

Keep listening. Keep embracing the beat. Feel young and stay young. You know I will—with any luck for another fifty years.

 

When Your Team Loses

The Houston Astros won the 2017 World Series last week. The Los Angeles Dodgers lost. It was an epic contest. Many have observed it was one of the greatest World Series match-ups in the history of Major League Baseball. It lasted into the mythic and deciding Game 7, crossing tentatively into the month of November, creating the first-ever Game 7 at Dodger Stadium and the first-ever MLB game played in November at Dodger Stadium.

This year’s fall classic delivered all of the drama any fan could want from a World Series. There were come-from-behind victories one after another, larger-than-life villains and heroes caught in an explosive discussion of racism, more lazy walks and majestic home runs than most of us could imagine, and two world-class managers locked in a battle of wits. It was an endurance contest. It began in Game 1 at 103 degrees on the sweltering Chavez Ravine field and ended there eight days later some forty degrees cooler. It brought many viewers back to the game who had abandoned baseball for its slow pace in our ever-hectic world. It was the perfect collision of talent and human will emerging from an always imperfect playing season.

Then it was over.

Only one team could take home the Commissioner’s Trophy. One team did, in a stadium not their own but on a makeshift stage they made their own. The local contenders, who could win only three of seven games, looked on from the home team dugout and watched the award ceremony broadcast to the globe. Behind the blue-flagged dugout sat their fans, also staring vacantly beyond the bright television camera lights with sadness and acceptance. I was among those fans. I slumped in my hardwood seat and watched the grand on-field celebration to my right and the silence of humility to my left.

Bart Giamatti, former MLB Commissioner and President of Yale University, probably said it best in his acclaimed essay The Green Fields of the Mind:

It breaks your heart. It is designed to break your heart.

That is the game, where each preliminary round of the postseason always ends in an event called an elimination game, and then the World Series itself winds down to the final elimination game. When your team is eliminated from competition, your season is over. There are no appeals. At the final elimination game, one team is victorious. The other team retains the consolation prize of league champion, but it is increasingly less of a bragging right than it was in professional baseball’s beginnings over a century ago.

The eliminated team leaves the field with a broken heart shared with its fans. That is the design. It needs no improvement. A loss is as perfect in its ability to stir emotion as a win means to those who share a parade in the glorious days following the final pitch.

So why does any of this matter? Baseball is a business, a big-money enterprise where fans shell out enormous sums of money for ballpark visits, television and internet subscriptions, staggeringly high-margin junk food, proud but ridiculously overpriced authentic field wear, signed souvenirs, trading cards, collectors’ memorabilia, and tiny parking spots where door dings are as much a part of the game as the ceremonial first pitch. Players are traded back and forth late in the season as insurance for a playoff spot, and just because you call it your home team doesn’t mean many of the players on the payroll call it home.

Why does it matter? If you are a fan, you have to answer it in your own way. Let me try to answer it in mine.

Never mind that the Los Angeles Dodgers, a controversial transplant from Brooklyn today playing in the second-largest media market in the nation, haven’t even appeared in a World Series since 1988, the year ace Clayton Kershaw was born. Never mind that the Dodgers are the team of historic #42 Jackie Robinson, whose jersey number is the only one retired across both the National and American leagues. Never mind that Dodger Stadium, the model for modern stadiums when it opened in 1962, the year I was born, is now the third-oldest stadium among the 30 in MLB. All of that is nice context, but it doesn’t reasonably define why I would feel sorrowful over a loss in Game 7.

In fact, in a world plagued by continuing terrorism, nonstop acts of violence, social vitriol, political lunacy, global instability, and wildly unjust economic inequality, why do seven months of three-hour-plus games played day and night on well-manicured fields by young millionaire athletes directed by billionaire ownership groups matter at all? It shouldn’t, right? We’re adults, aren’t we? We’ve got important stuff to worry about, not the velocity of a breaking ball walloped by a carved piece of wood and sailing 400 feet into the bleachers of a 50,000-seat arena.

Well, let’s try it another way and go back to Bart Giamatti, a Renaissance scholar and baseball fanatic who left us much too early but was gracious enough to capture some meaning in all of it in his own temporal longing:

There are the truly tough among us, the ones who can live without illusion, or without even the hope of illusion. I am not that grown-up or up-to-date. I am a simpler creature, tied to more primitive patterns and cycles. I need to think something lasts forever, and it might as well be that state of being that is a game; it might as well be that, in a green field, in the sun.

That is why it matters to me. It matters because it lasts all our lives. It dies with the coming of winter and is reborn in the spring. I love the game because my father loved the game. It is essentially the same game, forget the bells and whistles and data analytics and all that newfangled scoreboard jazz. The game no matter what is fully unpredictable to the final out, the alchemy of athleticism, calculating strategy, and too often chance. It is consistent in its ritual routines, relentless in its aggregate simplicity, intoxicating in its repetitiveness. Forever it has broken hearts. We share that from generation to generation, from season to season. It is absolute in its constancy, absolute in its recurring challenge, absolute in its finality — until it comes again.

It always comes again. It has to come again. It is designed to break your heart.

When your team loses, you internalize the emotion, politely congratulate the winning opponent, and make no excuse for the silliness of the sadness in your obsession with constancy. We all like to win. We all want to win. We all want to be part of winning. Yet more than that, we all want to be part of something that matters because it holds us together with permanence solely because its vitality is assured in its unfailing renewal.

The Brooklyn Dodgers, who didn’t win a World Series until 1955, owned the nickname Dem Bums. Each year they lost, Dem Bums and the fans who followed them would finish the season with the same words: “Wait ’til next year.” Dem Bums knew the answer to what you do when your team loses.

I’ll see you at the green field next April. Opening Day is traditionally played in the early afternoon. With a little luck the sun will be shining on all of us.

______________________

Photo: By the author, Ken Goldstein (11/1/17)

Chance Meetings and Their Power to Change Your Life

Imagine if you just said hello.

I was sitting on a flight recently, observing the informal “Golden Rule” among business people who frequently travel: You don’t bother me, I won’t bother you. By bother, we mean talk. Business people can actually sit next to each other for a full Trans-Atlantic flight never saying more than “excuse me” when we need to step over each other to get to the aisle. Strange as it may seem, we consider this polite. We are terrified of the notion of losing an hour or two of work time, reading time, movie time, or sleep time, to idle conversation time—or worse, opening the door to being asked for a favor. We like silence in our air travel. Silence is safe.

Silence is also a lost opportunity.

About twenty minutes before this flight landed the person in the seat next to me braved the opening of a conversation. He asked me if I was headed home or away. He told me he was headed home after playing a music gig in Seattle. Turns out he was a studio session guitarist who has been surviving as a professional musician for fifty years. I told him I used to play, but now was just a devoted fan. He asked me which musicians I admired and suddenly we found overlap in artists whom he had backed. He had played behind Don Henley onstage. He had played on an album with Frank Sinatra. I told him I had just seen Jackson Browne at The Greek Theatre in Los Angeles and he said he always wanted to play with Jackson Browne, that was on his bucket list. We agreed The Greek was the best live venue currently in the L.A. area, and he said the next time he played there he would try to invite me if he could get extra tickets. We exchanged cards. He asked me for nothing.

It was a great twenty minutes. I don’t know if I will ever see him again, but it made me think hard about that unwritten rule of bothering the strangers around you. How many amazing opportunities get away from us because we are too wrapped up in ourselves to reach out, or too exhausted from today’s turmoil to see tomorrow’s opportunity? We’ll stare into a tiny LED screen and page through infinite tidbits in a news feed, but we’ll hide from the tangible stranger who is less than a foot from our elbow. It’s a weird way to partake in humanity, and it’s probably costing us an unseen miracle or two over the course of a lifetime.

We all know well the image of the “Meet Cute” that plays out in romantic comedies. Two unlikely strangers bump into each other in the supermarket parking lot and knock their groceries to the asphalt. Eggs break, toilet bowl cleaner ruins their leather shoes. Ninety minutes of screen time later—after at least one baffling breakup and a healing montage of running along the beach—they get married and the best man offers a drunken toast about how the couple was always meant to be. The truth is, it does happen in real life. It happened to me over a quarter century ago, although the groceries involved had more to do with a commercial real estate rental. I wake up every day thanking my lucky stars I was paying attention. I could have let that go by. It would have been much easier to maintain silence. My life would not have been the same. The risk involved was sub-measurable. The reward was beyond belief. How close I came to blowing that. How very, very close!

Wait a second… risk… reward… aren’t those words better applied to, uh, business? Is it possible we are shutting down real possibility by obsessing in our solipsism? What part of the obvious are we shutting down for no good reason at all? If someone doesn’t want to talk, he or she will tell us. If someone doesn’t want to be bothered, that can be revealed in a nanosecond. Why are we so afraid of interaction? What might the avoidance of a kind greeting be costing us?

The “Chance Meeting” is the Platonic version of the Meet Cute, where the paths of two strangers intersect for any number of reasons and the grounds of some relationship begins. Like the Meet Cute, where romance comes when you least expect it, the Chance Meeting commences without expectation. In my own life this has resulted in a job opportunity, discovery of a favorite vacation spot, invitation to a speaking opportunity, the hugely rewarding chance to mentor a technology star, a book recommendation that changed the way I think about words, an affordable channel for collectible wines, and more than one new friend who likes to hang out at Dodger Stadium. The Chance Meeting is powerful, and yet I rarely leave myself open to it. When I think about what may have gotten away based on what didn’t, it’s scary. And stupid.

My new book, Endless Encores, is all about a Chance Meeting. It takes place in an airport executive lounge, where a veteran CEO offers a life’s experience to a rising executive who is about to encounter failure for the first time. When I was sending out early versions of the manuscript for feedback, one reader told me she really loved what the book had to say about what it takes to repeat success, but she couldn’t buy the premise that a successful woman in an airport would strike up a conversation with a downtrodden young manager who was in desperate need of all she had to say. Was it really that outlandish, I wondered, that a seasoned business leader would engage in dialogue with a stranger to pass a few hours and hand off her years of learning without expectation of anything in return? My reader said yes, that was a sticking point for her, if I could get past that, the rest of the wisdom was solid. I guess my reader closely observes the unwritten Golden Rule of the business traveler. These days, I’m trying to get over it.

Don’t miss out on a Chance Meeting. You never know where it could take you. You never know where you could take someone else. Learning happens when ideas are exchanged. For ideas to intersect, people have to intersect. That only begins when someone says hello. Imagine the power you can unlock with a single word. Or you can stay safe and stay silent.

Your risk. Your reward. Your choice.

_____

This article originally appeared on The Good Men Project.

How to Make a Family Happen

Volunteering and serving on non-profit boards has been an integral part of my life. For the past 14 years I have been deeply involved with Hathaway-Sycamores Child and Family Services, which is one of the most expansive agencies serving  Los Angeles County. Hathaway-Sycamores will impact the lives of more than 8500 children this year through 26 innovative programs, from residential care and counseling for youth at risk to foster family placements and permanent adoptions.

Our signature fundraising event each year is called Celebrating Children. We invite all our wonderful donors and sponsors to this gathering in the fall, and for the second year we have held it in the Stadium Club at Dodger Stadium when the Dodgers play an away-game. I am the event chair as well as the MC, which gives me the privilege of working closely with our dedicated staff all year-long to bring friends together in a room filled with love. We broadcast the game on a multitude of monitors and invite a retired Dodger Great to join us. This year we welcomed the legendary Ron Cey to talk a little about his career and a lot about how the Dodgers are also rooted in community service. We then honor one  or two of our supporters with our highest service award, and this year that went to my dear friends, Annsley and George Strong, longtime contributors of their time, money, and vision to the kids and families of Southern California.

All that is wonderful, but it’s not what I really wanted to post just now. We held the event earlier this week, and as we do each year we made a short video that shows a bit of our work. This year we focused on foster care and adoption. We called this story: “How to Make a Family Happen.” The words I write will never do the mission or impact of this work justice, so please have a look:

The Gutierrez and Puccia families who appear in this video were with us at the event, and there were not a lot of dry eyes in the house. They are examples of what happens when individuals decide in their own way to make a forever family happen. These stories are powerful, and they are just two of the miracles we can help make real, to bring a touch of hope and light to a troubled world. If you want to support the kind of work exemplified here, please visit our website.

Please share this video with anyone whose life you think it might touch. There is so much work we can do to improve our communities, and it all begins with local stories of caring and success.

Together, we can make families happen.